Il cerchio del possibile: identità, organismo e persona nella Philosophie der Natur di Nicolai Hartmann
In: Germanica volume XXVII
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In: Germanica volume XXVII
In: Biosemiotics Ser. v.9
Intro -- Foreword -- Reference -- Acknowledgements -- Contents -- 1 Introduction: The Relevance of Uexküll's Umwelt Theory Today -- 1.1 Life and Work -- 1.2 The Reception of Uexküll in Norwegian Eco-philosophy -- 1.3 Updating the Umwelt Theory -- 1.4 Codes and Interpretation in Perception -- 1.5 Describing Cultural Affordances by Conducting Comparative Umwelt Mapping -- References -- 2 The Life and Education of Jakob von Uexküll -- 2.1 The First Studies in Philosophy and Science -- 2.2 Research Trips and Contributions to Physiology -- 2.3 Arising of Political and Philosophical Interests and the Transition to Theoretical Biology -- 2.4 The Institut für Umweltforschung in Hamburg -- 2.5 Frictions with the Nazi Regime and Death -- References -- 3 The Basis of the Environmental Theory -- 3.1 Uexküll's Position in the Mechanist-Vitalist Debate -- 3.2 Periodization of Uexküll's Production -- 3.3 For a Teleological Biology: The Concept of Bauplan -- 3.4 Towards the Umwelt: The Concept of Milieu -- 3.5 The Issue of Protoplasm -- References -- 4 The Subjective World of the Umwelt -- 4.1 The Origin of the Concept -- 4.2 The Gegenwelt -- 4.3 The Reperceived Environment as a Species-Specific Transcendental Construction -- References -- 5 The Structure of the Umwelt -- 5.1 The Functional Circle -- 5.2 The Human Observer's Environment -- 5.3 The Foundation of Theoretical Biology -- 5.3.1 Signs in the Environment: The Transcendental Biosemiotics of Uexküll -- 5.3.2 Towards a Theory of Animal Action -- 5.3.3 Embryogenesis in Theoretische Biologie -- 5.3.4 The Origin of Species in Theoretische Biologie -- References -- 6 Environment and Meaning -- 6.1 Between Theoretical Biology and Ethology: A Foray into the Worlds of Animals and Humans -- 6.2 Lines of Action in the Subjective Environment: Operative Images.
In: Studi e ricerche 20
In: Università degli studi di Trento. Dipartimento di lettere e filosofia
In: Ecocritical Theory and Practice
16 chapters by new and established Deleuze scholars each explore one key figure in Deleuze's philosophical heritageExplains the influence of 16 thinkers to Deleuze's philosophical project: how Deleuze draws on and responds to their workIntroduces important continental thinkers largely unknown in English-speaking countries, such as Henri Maldiney, George Dumézil, Charles Péguy and Pierre ClastresClarifies the synthetic method that Deleuze used to compose his most famous textsWill appeal to Deleuze scholars specialising in philosophy, literature and artFrom Lucretius to Schelling to Foucault, this book looks at 16 philosophers, writers and artists whose work influenced the philosophy of Gilles Deleuze. Each chapter introduces the thinker in question, explains the context in which Deleuze draws their work and discusses how it contributed to the development of Deleuze's own ideas.Deleuze's Philosophical Lineage II complements the original Deleuze's Philosophical Lineage volume by adding new voices to the discussion: looking at thinkers not covered by the first volume, intruducing well-known French philosophers to English-language Deleuze studies and reflecting the latest Deleuze scholarship.ContributorsMichael James Bennett, University of King's College, Canada.Ronald Bogue, University of Georgia, USA.Sean Bowden, Deakin University, Australia.Carlo Brentari, University of Trento, Italy.Kyla Bruff, Memorial University of Newfoundland, Canada.Vlad Ionescu, Hasselt University, Belgium.Graham Jones, Federation University, Australia.Craig Lundy, Nottingham Trent University, UK.Paul Patton, University of New South Wales in Sydney, Australia.Knox Peden, University of Melbourne, Australia.Jon Roffe, Melbourne School of Continental Philosophy, Australia.Edward Scheer, University of New South Wales in Sydney, Australia.Daniel W. Smith,Purdue University, USA.Piotrek Świątkowski, Rotterdam University of Applied Sciences, Netherlands.Kamini Vellodi, Edinburgh College of Art, University of Edinburgh, UK."